Friday, March 23, 2012

Honky-Tonk Heroes and Healing Hands | Vanderbilt Magazine ...

Vanderbilt and Music City?s hit makers deliver perfect harmony.

by Leslie Hill

Bass guitarist and keyboardist Jay DeMarcus of Rascal Flatts poses with young fans Emma Watson (left) and Gracelyn Mansfield  before a sold-out 2007 Rascal Flatts concert at Nashville?s downtown arena. With all proceeds from the show benefiting Monroe  Carell Jr. Children?s Hospital at Vanderbilt, it was the largest single fundraising event ever for Children?s Hospital, netting nearly  $830,000. As an infant, Gracelyn nearly died from pertussis and spent a week at Children?s Hospital under an oxygen tent.

Bass guitarist and keyboardist Jay DeMarcus of Rascal Flatts poses with young fans Emma Watson (left) and Gracelyn Mansfield before a sold-out 2007 Rascal Flatts concert at Nashville?s downtown arena. With all proceeds from the show benefiting Monroe Carell Jr. Children?s Hospital at Vanderbilt, it was the largest single fundraising event ever for Children?s Hospital, netting nearly $830,000. As an infant, Gracelyn nearly died from pertussis and spent a week at Children?s Hospital under an oxygen tent.

Songwriter Harlan Howard said it best: ?Country music is three chords and the truth.? Out of that simple formula has come a genre that defines the Nashville sound and its worldwide community of listeners. Where the only cure for a broken heart is to sing about it. Where tractors and trucks are the transportation of choice. Where ?I should have been a cowboy? and ?I?m so lonesome I could cry? are common refrains. Where family values are prized above all else.

Country music is about place (?Amarillo by Morning,? ?Okie from Muskogee,? ?Chattahoochee,? ?Rocky Top?), and no place has loomed larger than Nashville, the site where it all began. But more than 100 years before a WSM radio announcer dubbed the town ?Music City USA,? Nashville was known as the ?Athens of the South,? the first Southern city to establish a public school system and the home to many colleges and universities, including Vanderbilt and its Medical Center.

Nashville was built on both entertainment and education, and today, more than ever, the industries are creating a two-part harmony with a common bass line: a love for community.

Many in country music consider Vanderbilt University Medical Center their ?community hospital,? a place that offers world-class health care, whether it?s for a routine checkup or a family member?s serious illness. In return for that care, they offer their time and talents in support of the Medical Center?s mission, and they do so with a humility not always found in other genres of the entertainment industry.

?It?s such a great feeling when we visit the hospital?one of the best in the world,? says Scott Borchetta, president and CEO of Big Machine Label Group, home to artists like Taylor Swift, Reba McEntire and Garth Brooks.

Entertainer Vince Gill (in black) and producer Michael Omartian work on a song written by Children?s Hospital patient Chris Weber for a CD compilation to promote Vanderbilt?s music therapy program. Weber, who has cystic fibrosis, has written more than 10 songs and learned to play the guitar, thanks to the encouragement of music therapist Jenny Plume (right).

Entertainer Vince Gill (in black) and producer Michael Omartian work on a song written by Children?s Hospital patient Chris Weber for a CD compilation to promote Vanderbilt?s music therapy program. Weber, who has cystic fibrosis, has written more than 10 songs and learned to play the guitar, thanks to the encouragement of music therapist Jenny Plume (right).

?One day one of us will get sick or get diagnosed, and we know Vanderbilt will be there for us,? he continues. ?We feel like we can?t do enough and are honored to be part of the family.?

With more than 20 years in Nashville?s entertainment industry, Borchetta has been a longtime supporter of Vanderbilt, but his relationship intensified in 2010 when Rascal Flatts, a country supergroup with a longstanding commitment to the Monroe Carell Jr. Children?s Hospital at Vanderbilt, signed to the Big Machine record label.

Rascal Flatts has raised more than $3 million for the Children?s Hospital, hosted benefit concerts, filmed advocacy messages, performed private shows for patients and families, and offered countless hugs and photo ops.

?Seeing those kids, and being face to face with the people who you directly impact, makes all the early mornings and late flights and touring worthwhile,? says Rascal Flatts bassist Jay DeMarcus.

In November 2010, Children?s Hospital unveiled its Rascal Flatts Surgery Center, which houses existing surgical programs and will soon hold a state-of-the-art interventional radiology suite.

?It?s amazing what they do here every day. They?re able to take the most serious situations and turn them into a positive,? says Joe Don Rooney, the band?s lead guitarist and vocalist. ?That?s why we knew very quickly that we wanted to be involved with Children?s Hospital. It?s a magical place.?

?This is the biggest accomplishment of our entire personal or professional careers, being a part of this hospital,? adds lead singer Gary LeVox.

Country supergroup Rascal Flatts?Gary LeVox, Joe Don Rooney and Jay DeMarcus?is honored by Vanderbilt University Medical Center on Oct. 29, 2010, with the unveiling of the Rascal Flatts Surgery Center at Monroe Carell Jr. Children?s Hospital. The band is shown with pediatric surgery staff members after performing its sixth annual Halloween concert for patients and their families. They also visited children room by room, delivering Halloween treats.

Country supergroup Rascal Flatts?Gary LeVox, Joe Don Rooney and Jay DeMarcus?is honored by Vanderbilt University Medical Center on Oct. 29, 2010, with the unveiling of the Rascal Flatts Surgery Center at Monroe Carell Jr. Children?s Hospital. The band is shown with pediatric surgery staff members after performing its sixth annual Halloween concert for patients and their families. They also visited children room by room, delivering Halloween treats.

More Than a Photo Op

?They have given their time to come here and sing and be with the children, and I?m continually amazed at the level of commitment.?

?Dr. John W. Brock III

Dr. John W. Brock III, BA?74, Children?s Hospital surgeon-in-chief, Monroe Carell Jr. Chair, and director of the Division of Pediatric Urology, says the Rascal Flatts Surgery Center will allow the hospital to provide minimally invasive procedures that weren?t possible before.

?Rascal Flatts really is not in this for publicity,? he asserts. ?They?re in it because it?s the right thing to do. I have great respect for them and think they have great respect for what we do here.?

Last Halloween, when Rascal Flatts visited the hospital, says Brock, ?they didn?t leave until they went to every single room. Even though it took three times as long as they had planned, they wouldn?t leave until they had seen everyone. That?s a pretty amazing thing.?

Though Brock has forged a special relationship with the members of Rascal Flatts through the years, he sees their commitment reflected in many others in Nashville?s music industry.

?So many great people from country music have really embraced what we do. They have given their time to come here and sing and be with the children, and I?m continually amazed at the level of commitment, their soul. It?s not just a front for them,? says Brock.

Big Machine sends artists to Children?s Hospital each month to perform for patients and families.

Dr. John Brock and 5-year-old Cierrah Granito pose with Chris Henderson,  left, and Brad Arnold of rock band 3 Doors Down in November 2010.  The band donated a toy race car equipped with a PlayStation game system inside to Children?s Hospital.

Dr. John Brock and 5-year-old Cierrah Granito pose with Chris Henderson, left, and Brad Arnold of rock band 3 Doors Down in November 2010. The band donated a toy race car equipped with a PlayStation game system inside to Children?s Hospital.

?You always see a spirit of life in the kids. They?re so brave and tackle their illnesses so seriously,? Borchetta says. ?Kids aren?t supposed to be sick. It?s a mess-up in the system, and we can?t do enough to make it right. We always walk out of the hospital asking, ?How can we do more???

Rondal Richardson, entertainment industry relations manager for VUMC, says Big Machine and others in country music understand that music is a healer.

?These artists can?t cure cancer, but they can let patients know they are supported by a special community,? he says. ?Music City USA has a great medical center that believes in the premise that music heals the mind, body and soul.?

Richardson has more than 25 years? experience in the entertainment industry and helps strengthen relations between VUMC and professionals in music, athletics and performing arts. As an industry insider, he understands how precious an artist?s time is, but also how much they want to give.

?In any given week in a manager?s office in Nashville, they could get 100 requests for charity events. Learning to say no to something that is so worthy is really tough,? Richardson says.

Especially in country music, he says, artists see their fans as an extension of their families and will do just about anything to help them. ?To whom much is given, much is expected, and there?s a sense that this is a beautiful family that doesn?t exist in any other form of entertainment.?

Richardson says it?s that love for family and community that draws them to Vanderbilt.

?They understand that health is one?s most important asset in life. They want to do something beyond music and give back to the people who have given them so much. Many of them really find their missions through charity work, and we?re blessed that so many of them have chosen Vanderbilt.?

Lifting Lives

Vanderbilt shone brightly in the national spotlight during the 46th Academy of Country Music Awards, broadcast last April. Hootie and the Blowfish alum and country music artist Darius Rucker took the stage with 25 young adults who have developmental disabilities to perform ?Music from the Heart,? and viewers were given the opportunity to donate to the Vanderbilt Kennedy Center.

The song was a product of the ACM Lifting Lives Music Camp held each summer at the Vanderbilt Kennedy Center for people with Williams syndrome, autism and other disabilities. The song was written collectively at the camp with songwriters Brett James and Chris Young.

Music artist Darius Rucker performs live with the ACM Lifting Lives Music Campers Chorus on the 46th Academy of Country Music Awards broadcast from Las Vegas last April. During the performance, viewers nationwide had the opportunity to donate to the Vanderbilt Kennedy Center, where the music camp for young people with disabilities is held each summer.

Music artist Darius Rucker performs live with the ACM Lifting Lives Music Campers Chorus on the 46th Academy of Country Music Awards broadcast from Las Vegas last April. During the performance, viewers nationwide had the opportunity to donate to the Vanderbilt Kennedy Center, where the music camp for young people with disabilities is held each summer.

?The ACM Lifting Lives performance with the Kennedy Center campers was honestly one of the top musical moments of my career,? says Rucker. ?Singing on stage with them, watching their faces and hearing their voices is a moment I?ll always remember.?

Lifting Lives is the Academy of Country Music?s philanthropic arm, dedicated to improving lives through the power of music, and has sponsored the Kennedy Center?s Music Camp since 2010.

The weeklong residential camp gives young adults who have developmental disabilities the opportunity to participate in songwriting workshops, recording sessions, and a live performance at the Grand Ole Opry. Country music veterans who have participated in the camp include Darius Rucker, Carrie Underwood, Gary Allan, Odie Blackmon, Mark Bright, Little Big Town and Wynonna Judd.

?Being part of the ACM Lifting Lives camp at the Vanderbilt Kennedy Center last summer was one of those inspiring moments that comes along only once in a rare while,? says Judd. ?The campers lifted my spirits and restored my hope in humanity. The impact of the great work happening at the Vanderbilt Kennedy Center around the idea of ?music as a healer? is something I am proud to celebrate. It is indeed proof that when we stand together, it is our finest hour.?

The Pied Piper

for Children?s Hospital

Jeff Balser, Vanderbilt vice chancellor for health affairs, presents entertainer Kix Brooks with a plate decorated by a Children?s Hospital patient as a token of appreciation for his support through the years. Brooks, who serves on the hospital?s board of directors, is credited with fueling much of today?s interest in the Children?s Hospital by Nashville?s music community.

Jeff Balser, Vanderbilt vice chancellor for health affairs, presents entertainer Kix Brooks with a plate decorated by a Children?s Hospital patient as a token of appreciation for his support through the years. Brooks, who serves on the hospital?s board of directors, is credited with fueling much of today?s interest in the Children?s Hospital by Nashville?s music community.

?It all comes back to the hope in a child?s eyes, knowing they are counting on us to help them get well. It is a giant responsibility, and one we have to embrace. I can?t think of anything more important.?

?Kix Brooks

Much of today?s support for the Children?s Hospital can be traced back to one man: Kix Brooks, half of country superstar duo Brooks & Dunn.

?He was the first to get down on the floor with the kids, and then he told all his peers,? says Rondal Richardson. ?He was the Pied Piper for that place. Everyone followed him in, and thankfully no one has wanted to leave.?

Back in the early ?90s, when Brooks & Dunn was headlining its first concert at Nashville?s Starwood Amphitheater, two industry veterans?song publisher Donna Hilley and Connie Bradley from the American Society of Composers, Authors and Publishers (ASCAP)?contacted Brooks and requested he donate all the concert proceeds to the Children?s Hospital.

Brooks admits he was flabbergasted. Like many, he had bought into the false notion of the ?Magnolia Curtain? cutting off Vanderbilt from the wider Nashville community.

?Like many people with no knowledge of the place, when you hear the word ?Vanderbilt,? you generally assume here?s a place with plenty of money that serves those in Nashville who can afford it, and a place that certainly wouldn?t be needing a donation from somebody like me,? recalls Brooks.

But Hilley and Bradley encouraged him to visit the hospital, then housed on three cramped floors in Vanderbilt University Hospital.

What he found, Brooks says, ?was a hospital that was extremely overcrowded and, quite frankly, threadbare?with a dream in the air of a new facility that had been promised for the near future, and a staff of doctors and nurses who were working in very tough conditions with an attitude that made me embarrassed I would ever complain about anything. They were putting smiles on the faces of some very sick kids and putting hope in the hearts of their parents.?

Vanderbilt Children?s Hospital, Brooks soon realized, ?was not the pretentious, exclusive establishment I had conjured up in my mind, but a nonprofit hospital, made for the everyday families of not just Tennessee but all the bordering states and beyond?and no child was being turned away because they couldn?t pay.?

For Brooks, it was a moment of revelation: ?Wow, I thought. I?ve got to do my part. This isn?t their hospital?this is our hospital.?

Country music artists Wynonna Judd and Dierks Bentley, BA?97, prepare to lead the fourth annual Dierks Bentley Miles and Music for Kids motorcycle run and concert benefiting Children?s Hospital. Each year the ride from Franklin, Tenn., to Nashville ends with a downtown concert at Riverfront Park featuring Bentley and his friends.

Country music artists Wynonna Judd and Dierks Bentley, BA?97, prepare to lead the fourth annual Dierks Bentley Miles and Music for Kids motorcycle run and concert benefiting Children?s Hospital. Each year the ride from Franklin, Tenn., to Nashville ends with a downtown concert at Riverfront Park featuring Bentley and his friends.

All the proceeds from that sellout concert were given to the hospital, and shortly afterward, Brooks joined the hospital?s board of directors, on which he still serves today.

?I am very proud of the progress we?ve made between Music Row and the hospital, but we have to keep growing this mission,? he says. ?Honestly, it all comes back to the hope in a child?s eyes, knowing they are counting on us to help them get well. It is a giant responsibility, and one we have to embrace. I can?t think of anything more important, and with all sincerity, I feel privileged for the opportunity.?

In addition to Rascal Flatts, one of Brooks? early followers was Dierks Bentley, BA?97, whose annual Miles and Music for Kids celebrity motorcycle ride and concert is one of Children?s Hospital?s more visible entertainment events. Now being duplicated in other cities, it has attracted 36,000 fans and raised more than $2 million for Children?s Miracle Network hospitals.

?God Picked Guatemala for Me?

Children?s Hospital supporter Steve Moore leads the  Country Music Association.

Children?s Hospital supporter Steve Moore leads the Country Music Association.

?Country music artists are giving people with big hearts, so it doesn?t surprise me a bit that so many support Vanderbilt and the Children?s Hospital.?

?Steve Moore, CEO, Country Music Association

Brooks also connected with Steve Moore, CEO of the Country Music Association (CMA), the genre?s trade organization. He is personally committed to Children?s Hospital through the Shalom Foundation, a charitable organization he founded to serve children and families living in extreme poverty, with a special focus on Guatemala.

?God picked Guatemala for me,? Moore declares. ?I went there on a construction trip through my church to build a school. Then when I saw the Children?s Hospital for the first time and walked through it, it ached me that kids in Guatemala would never see a facility like that.?

After meeting Dr. John Brock, the two forged a relationship to send surgical teams to Guatemala, a project that grew to demand a permanent surgical facility there. Earlier this year a Vanderbilt team helped open the Moore Pediatric Surgery Center, a 2,000-square-foot structure equipped for medical and surgical care with three operating rooms and beds for pre-operation, intensive care and recovery.

?The staff at Vanderbilt was instrumental in consulting on the needs and specifications and even giving some financial assistance to getting the facility open. Great nurses and doctors have gone on our trips, and Vanderbilt is a great partner for Shalom,? says Moore.

?We really have a chance to live out part of Chancellor Zeppos? vision for ?one Vanderbilt?? through the endeavors in Guatemala, Brock points out. ?Guatemala is a natural fit because we?re so involved with Vanderbilt?s Center for Latin American Studies and with medical care. How we marry those two together gives us a true ?one Vanderbilt? presence, and we couldn?t have done some of that without Steve.?

Now Moore is encouraging all CMA members to lend their support to Vanderbilt.

?Country music artists are giving people with big hearts, so it doesn?t surprise me a bit that so many of them support Vanderbilt and the Children?s Hospital,? Moore says. ?I would, of course, like to see more get involved, though.

?In doing so, you get more than you?re giving, and the reward is beyond measure, especially when you?re working with children. Artists know they have been really blessed with talent and resources in their career, and they look to do something meaningful and give back.?

Leslie Hill is an information officer for Vanderbilt University Medical Center News and Communications.

?

? 2012 Vanderbilt University | Photography: DANA JOHNSON, JOE HOWELL, ANNE RAYNER, SUSAN URMY, KEVIN WINTER/GETTY IMAGES FOR ACM, TOMMY LAWSON, MARY DONALDSON, CMA, JOHN RUSSELL, JOE HOWELL

Conversation guidelines: Vanderbilt Magazine welcomes your thoughts, stories and information related to this article. Please stay on topic and be respectful of others. Keep the conversation appropriate for interested readers across the map.

Source: http://www.vanderbilt.edu/magazines/vanderbilt-magazine/2012/03/honky-tonk-heroes-and-healing-hands/

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Thursday, March 22, 2012

Local Produce Edging Out Organic in ... - Food and Drink Digital

CHICAGO, March 21, 2012 /PRNewswire/ -- It seems like just yesterday natural/organic was the hot ticket, but local is quickly becoming a consumer favorite, as locally-sourced products are becoming more popular at grocery stores and restaurants alike. According to recent Mintel research, the same is true in the fruit and vegetable industry with more than half (52%) of consumers reporting that it's more important to buy local produce than organic options.

(Logo: http://photos.prnewswire.com/prnh/20120222/CG58099LOGO)

Data from Mintel's Global New Products Database (GNPD) supports this statement, as fruit products with a natural/organic claim have declined 58% between 2008 and 2011, while vegetable product launches with that claim have decreased by 77% during the same time period.

"Natural and organic produce items aren't completely passe, but local varieties are steadily gaining ground," says John N. Frank, category manager, CPG food and drink reports at Mintel. "Interestingly enough, senior citizens are even more likely to believe that buying local produce is more important than organic."

While it's true that consumers have their preferences when it comes to the type of fruits and veggies they consume, they still aren't eating the recommended daily amounts. Fourteen percent of Americans don't eat any servings of fruit on a typical day and 7% report the same of their vegetable eating habits. Meanwhile, 69% agree that they should eat more fruits and veggies than they currently consume.

"Consumers may respond well to a marketing message touting the idea that eating?vegetables?is a healthier way to get important vitamins than taking a pill," suggests John Frank. "Some 81% of respondents agree with that statement. Another effective marketing message could be ways to make meal salads with?vegetables,?as 59% of respondents say they eat salads as a meal at least once a week."

Furthermore, giving?vegetable?preparation ideas?could also go a long way in increasing produce consumption. It may be lack of ideas that leads?37%?to say the fresh?vegetables?they buy often go bad before they have a chance to eat them, and?27% who?say they would eat more?vegetables?if they knew how to prepare them.

About Mintel
Mintel is a leading global supplier of consumer, product and media intelligence. For 40 years, Mintel has provided insight into key worldwide trends, offering exclusive data and analysis that directly impacts client success. With offices in Chicago, New York, London, Sydney, Shanghai, Tokyo, and now India, Malaysia and Singapore, Mintel has forged a unique reputation as a world-renowned business brand. For more information on Mintel, please visit www.mintel.com.

Follow Mintel on Twitter, LinkedIn, or catch up with the latest news, views and information from the team behind Mintel on The Mintel Blog.

SOURCE Mintel

Source: http://www.foodanddrinkdigital.com/press_releases/local-produce-edging-out-organic-in-importance-among-consumers-reports-mintel

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Professional Website Design Versus Very Cheap Website ...

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Source: http://ads4india.net/professional-website-design-versus-very-cheap-website-development/

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Wednesday, March 21, 2012

[OOC] Waiting for Keith

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Tuesday, March 20, 2012

China's rise driving Hollywood interest in Asia

HONG KONG (AP) ? China's economic rise and growing international profile are spurring Hollywood's interest in movies using Asian themes and production money, U.S. movie industry veterans said Tuesday.

Big studios are trying to push further into China, where box office receipts rose more than a third last year to $2 billion. China represents one of the most attractive growth opportunities for the U.S. movie industry, which is facing declining North American theater revenue and slumping DVD sales.

For the last decade, China has allowed only 20 foreign films a year ? mostly big-budget Hollywood fare ? to get national distribution. But it opened the door a little more last month when it changed the rules to allow in up to 14 more films a year as long as they are made in 3-D or for the big-screen Imax format. The foreign share of ticket sales will rise to 25 percent, up from 13.5 percent to 17.5 percent under the old system.

"I know studio executives and even chairmen of studios who've never been to China, who are now saying: I need to go, I need to meet people," said Hollywood producer Tracey Trench.

At its current growth rate, China is expected to become the world's 2nd largest movie market in a few years, with box office takings projected to top $5 billion by 2015. In North America, revenue has fallen for two years straight, and ended 2011 with $10.2 billion in ticket sales.

Glenn Berger, the screenwriter of the "Kung Fu Panda" movies, said that China is a trendy theme now.

"Hollywood needs to tell the same story in new and unusual ways and right now China is hot, it's interesting and most people in the West don't know very much about it," Berger said.

"Kung Fu Panda 2," about a cartoon panda named Po who battles a peacock villain, raked in $665 million at the box office last year, although only $165 million of that was from U.S. moviegoers.

Trench and Berger spoke at a panel at the Hong Kong International Film and Television Market, or Filmart. The entertainment industry trade show is one Asia's biggest, with 640 exhibitors ? 10 percent more than last year ? hoping to sell their films to 5,200 buyers expected from around the world.

Asia's growing wealth is one big draw for Hollywood studios who are looking for ways to keep costs down, especially on big-budget blockbusters, said Trench, who was executive producer of "The Pink Panther," ''Just Married," and "Ever After."

"You already know it's costing you a ton of money, so you try to figure out every way possible to hedge that financial risk," including getting co-production money and rebates and shooting in cheaper locations, said Trench. "This region now plays into a lot of those factors."

Hollywood studios have been busy teaming up with Chinese production companies.

DreamWorks Animation SKG Inc., which produced "Kung Fu Panda," said in February it's tying up with three Chinese companies on a joint venture entertainment company that will make Chinese animated and live action content. Dreamworks will have a 45 percent stake in the venture, which is expected to begin operations in Shanghai later this year.

Legendary Entertainment, producer of hits including "The Dark Knight," ''Inception" and the two "Hangover" installments, partnered with leading Chinese studio Huayi Brothers Media Corp. in June to form Legendary East. The venture plans one or two big budget movies a year starting in 2013 for global audiences that are also commercially viable in China. The films will be mainly in English and feature themes based on Chinese history, mythology or culture.

Another Hollywood studio, Relativity Media, said last year it's partnering with two companies to make Chinese films for global audiences and distribute movies in China.

While English is usually the preferred language for Asian-themed movies aimed at international audiences, that could change in the next decade as America's grip on the title of world's biggest movie market weakens, Trench predicted.

"There's a time right now that all of the studios, if they're going to do movies with Asian elements, they're going to be in English," she said. "But that's not going to be forever."

Source: http://news.yahoo.com/chinas-rise-driving-hollywood-interest-asia-070307711.html

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Federal agencies to open investigation into black teen?s death (Washington Post)

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Monday, March 19, 2012

Album Review - Tanlines: Mixed Emotions

Tanlines: Mixed Emotions

Posted on 19 March 2012 by Bowlegs

Tanlines - Mixed Emotions

Tanlines? simple bass-lines and chanted rhythmic choruses leave us a little cold. Their music is a nice fit ? major melodies, minimal backing and not overbearing in any way. But it fails to stir us. Maybe it?s merely that there?s nothing much to offend here. There also the faintest whiff of Christian rock ? lovely young men who are helpful and who carry the bags back from the car when mom returns with the shopping. And who can?t fail to hear the influence of ska punk in the singing style ? there are a lot of ?yay-oh? type choruses that will go down well live no doubt. It grates.

The potential of Green Grass to be a memorable song is clearly there, but what if the chorus had been backed by more twisted wiry feedback or detuning synths? Maybe that would have pushed the wistful into bittersweet. What if? What if?

Elsewhere they mine the soft 80s AOR vibe and this is probably where the balance of elements works best. Tracks like Abby, Laughing or Not the Same conjure images of empty nightclubs, streets at dawn and toy with the emotions that exist at the margins of your day. But where the wheels really come off is on Lost Somewhere, which lifts lines from I Know There?s an Answer by the Beach Boys. We finally decided to listen to the whole album through a guitar distortion pedal ? it was easy, we were in the studio ? and it sounded a whole lot better for it (note to mastering engineer).

You know, there?s a good line in the Bill Withers documentary Still Bill. He said that some people will only ever be average and that?s fine, as long as they realise. This is so-so alt pop, a nice bit of background sound with a cup of coffee and two biscuits. But if Tanlines want to evade arrest by the music police we suggest they solicit a little more solid upset, anger and sexual frustration.

-Julian Tardo-

Source: http://www.bowlegsmusic.com/2012/03/tanlines-mixed-emotions/?utm_source=rss&utm_medium=rss&utm_campaign=tanlines-mixed-emotions

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